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Central New York Watercolor Society All-Member Show
April 10 - May 10
Experience a stunningly diverse collection of watercolor pieces from members of the CNY Watercolor Society.
Join us for the artist reception on Sunday, April 12, @ 1-3 PM
About the CNY Watercolor Society
The Central New York Watercolor Society was formed in February 1982 with fourteen charter members from the central New York State region.
The Central New York Watercolor Society promotes the joy of watercolor painting through annual exhibitions, workshops, watercolor and water media demonstrations, and other educational outreach.
| Date | 5/01/2026 |
| Multiple Times | Fridays: 12 pm to 5:00 pm |
| Runs | 4/10/2026 - 5/10/2026 |
| Cost | Free |
| Contact Email | sjackoway@cnyarts.org |
| Venue | Art in the Atrium 201 E Washington St. Syracuse, NY 13202 315-435-2155 |
Canal as Collaborator: Works by Sarah Cameron Sunde & Kari Varner
How do we reconcile our engineered past with an ecological future?
2025 Erie Canal Artists-in-Residence Sarah Cameron Sunde and Kari Varner explore the Canal from an environmental lens.
Kari Varner, a distinguished photographer and educator, explored key ecological sites along the canal, integrating harvested plants into her photographic artworks. Sarah Cameron Sunde, an innovative interdisciplinary artist, engaged with canal communities to create pieces that physically and ecologically connect with the canal. She also developed work in collaboration with Jeremy Dennis, a contemporary fine art photographer and an enrolled Tribal Member of the Shinnecock Indian Nation in Southampton, NY.
| Date/Time | 5/01/2026 (All day) |
| Runs | 4/17/2026 - 9/27/2026 |
| Cost | Free |
| Contact Phone | 315-471-0593 |
| Contact Email | interpretation@eriecanalmuseum.org |
| Venue | Erie Canal Museum 318 Erie Blvd E Syracuse, NY 13202 315-471-0593 |
Feats of Clay Exhibition
Central New York’s Feats of Clay competition was established in 1987 to foster education in the ceramic arts for Syracuse-area high schools. Now in its 37th year, the event includes schools from as far away as the North Country and the Southern Tier and features a juried exhibition that recognizes students who demonstrate excellence in ceramic sculpting and vessel making.
On Friday, May 1, 2026, 500 students representing more than twenty-five schools will converge on the Everson Community Plaza to compete in a series of Olympic-style competitive events that involve (among other things) throwing blindfolded on the potter’s wheel, stacking wheel-thrown cylinders, and building towering constructions out of clay coils.
Feats of Clay is supported by Clayscapes Pottery and the Independent Potters Association.
| Date/Time | 5/01/2026 (All day) |
| Runs | 4/09/2026 - 5/10/2026 |
| Cost | $14 – Adults $10 – Seniors (65+), Students $5 – Children 6-12 $2 – with EBT card FREE – Everson Members, Children 5 and under, Military (w/ ID) P |
| Contact Phone | 315-474-6064 |
| Contact Email | everson@everson.org |
| Venue | Everson Museum of Art 401 Harrison St. Syracuse, NY 13202 315-474-6064 |
Realities Within
Realities Within presents four enduring genres of artmaking to explore how artists shape, frame, and inhabit the world. Whether a landscape, cityscape, still life, or representation of the human body, these works show how each artist’s reality is impacted by their lived experience. Separated by genre and installed “salon-style”—a term inspired by the eighteenth and nineteenth century Paris Salons, where paintings were hung from floor to ceiling, covering every inch of wall space—the dense arrangement invites close looking and visual comparison, encouraging viewers to find connections across time, style, and subject matter.
The landscape section explores artists’ responses to the natural world, from expansive vistas to intimate views. In contrast, the cityscape section examines the built environment, capturing rhythms of urban life and the evolving character of towns and cities across America. The still life section turns inward, focusing on interior spaces and objects arranged and captured with deliberation. The section with representations of the body centers on the human presence, revealing varied approaches to capturing likeness, identity, and expression.
Featuring old favorites alongside new acquisitions, Realities Within offers a dynamic survey of artistic observation, highlighting how artists have continually returned to these genres to interpret the visible world.
| Date/Time | 5/01/2026 (All day) |
| Runs | 3/07/2026 - 12/31/2026 |
| Cost | $14 – Adults $10 – Seniors (65+), Students $5 – Children 6-12 $2 – with EBT card FREE – Everson Members, Children 5 and under, Military (w/ ID) P |
| Contact Phone | 315-474-6064 |
| Contact Email | everson@everson.org |
| Venue | Everson Museum of Art 401 Harrison St. Syracuse, NY 13202 315-474-6064 |
Ann Clarke: Under the Canopy
Textile artist Ann Clarke frequently describes herself as “the kid who took a walk alone.” Solitary labor and contemplation are essential building blocks for her work, which ranges from intricately woven landscapes to impossibly detailed anatomical tufted wall hangings. For Clarke, the importance of solitude is held in tension with her role as an educator and community builder. The techniques underpinning her work have been passed from one maker to another in workshops, sewing circles, and from parent to child, weaving a literal social net.
Clarke’s body of work presented in Under the Canopy was shaped by her mother’s physical and mental decline in the years before her passing. A ghostly knit of her mother’s hand evokes the intimacy that comes with sharing skill and labor. Images of nature exist alongside others that draw on the material culture of domestic environments like flower arrangements, vases, and empty chairs. Grouped together, the works in Under the Canopy create space for both artist and viewer to contemplate human relationships, mortality, and shared labor.
About the Artist:
Ann Clarke, originally from Rochester, NY, is a celebrated fiber artist who received an MFA from Rhode Island School of Design. She holds a BFA in painting and printmaking from the University of Michigan. Clarke has exhibited throughout her academic career having taught at East Tennessee State University in Johnson City, TN from 1994 to 1998. In 1998, she joined SU as a faculty member in Fiber Arts/Material Studies. In 2008, she was named the Dean of Syracuse University’s College of Visual and Performing Arts, and returned to faculty in 2016, retiring in 2024 to be a full-time artist. Clarke’s newest series, Interior Landscapes, includes large-scale rugs installed on walls for museum visitors to contemplate. Dreamlike images of trees challenge us to consider the vulnerability of our wooded landscapes. Oversized, empty chairs remind us of the consequences of loss—of both people and the environment in which we make our homes.
| Date/Time | 5/01/2026 (All day) |
| Runs | 4/04/2026 - 6/07/2026 |
| Cost | $14 – Adults $10 – Seniors (65+), Students $5 – Children 6-12 $2 – with EBT card FREE – Everson Members, Children 5 and under, Military (w/ ID) P |
| Contact Phone | 315-474-6064 |
| Contact Email | everson@everson.org |
| Venue | Everson Museum of Art 401 Harrison St. Syracuse, NY 13202 315-474-6064 |
A Long Look: Documentary Photography, 1888-2016
A Long Look: Documentary Photography, 1888-2016 traces more than a century of photographers turning their lenses toward the world as witnesses, advocates, and storytellers. From the late nineteenth century, when advances in camera technology first allowed photographers to record spontaneous moments, to the bold and colorful images of today, documentary photography has shaped how people see the world, both its past and its present.
Documentary photographers traditionally immerse themselves in their subjects. Bruce Davidson spent ten days living in the mining communities of South Wales producing his Welsh Miners portfolio. Aaron Siskind’s Harlem Document project plays out over nine years, showing the vibrant life of Black Americans in Harlem in the 1930s. Donna Ferrato has spent decades documenting survivors of domestic violence and advocating for their welfare. Documentary photographers reveal how sustained engagement with their subjects, over ten days or several decades, produces images that challenge stereotypes, humanize the unfamiliar, and deepen public understanding.
Spanning from 1888 to 2016, A Long Look invites viewers to consider the significance of documentary photography as a medium, asking how photographs shape collective memory and inspire social awareness. Documentary photographers must often navigate the tension between art and journalism, frequently occupying a grey area between the two. A Long Look is presented in conjunction with LIFE: Six Women Photographers to foster discussions on the relationship between documentary photography and photojournalism.
| Date/Time | 5/01/2026 (All day) |
| Runs | 4/18/2026 - 9/27/2026 |
| Cost | $14 – Adults $10 – Seniors (65+), Students $5 – Children 6-12 $2 – with EBT card FREE – Everson Members, Children 5 and under, Military (w/ ID) P |
| Contact Phone | 315-474-6064 |
| Contact Email | everson@everson.org |
| Venue | Everson Museum of Art 401 Harrison St. Syracuse, NY 13202 315-474-6064 |
Laurent Craste: Iconoclasts
Iconoclasts marks the American museum debut for French-born Canadian ceramist Laurent Craste. Over the past decade, Craste has committed a wide range of indignities and abuse against his ornate vases and urns, including pummeling them with baseball bats and crowbars and piercing them with arrows. Despite the violence that runs through his work, Craste has a great passion for historical porcelain. Working with porcelain allows Craste to explore the prestige and power of upper-class society, but also inequality and the strain that is placed on working people. The anthropomorphic nature of Craste’s vases echoes the human body, making it no surprise that people feel strong emotions when seeing a helpless vase struck by a baseball bat. Triggering these strong emotions in his audience allows Craste to connect on a deeper level as he asks questions about class, money, and power.
About the Artist:
French-born artist Laurent Craste lives and works in the village of Saint-Gabriel in Quebec. Craste has received numerous awards and honors throughout his career (Winifred Shantz Award, grants from the Canada Council for the Arts and the Quebec Arts Council, Jean-Marie Gauvreau Award, etc.). His works are on display in many private and public collections (Montreal Museum of Fine Arts, Public Collection of the Department of Foreign Affairs and International Trade Canada, Claridge Collection, Majudia Collection, etc.). On the occasion of their entry into the permanent collection of the Musée des Métiers d’Art du Québec in 2018, 15 of his works have been recognized as of exceptional interest and of national importance by the Canadian Cultural Property Export Review Board.
During his more than 20-year career, Laurent Craste has participated in more than 60 group exhibitions in Canada, the United States, Europe and Asia. Among others, his work has been exhibited in New York (Museum of Moving Image), in Ottawa (Carleton University Art Gallery), as well as in Paris (Cité de la mode et du design). He has also had more than a dozen solo exhibitions, including at the Montreal Museum of Fine Arts, the Tom Thomson Art Gallery and the Art Gallery of Burlington in Ontario, as well as the Hohmann Fine Arts Gallery in Palm Springs California.
| Date/Time | 5/01/2026 (All day) |
| Runs | 11/15/2025 - 5/24/2026 |
| Cost | $14 – Adults $10 – Seniors (65+), Students $5 – Children 6-12 $2 – with EBT card FREE – Everson Members, Children 5 and under, Military (w/ ID) P |
| Contact Phone | 315-474-6064 |
| Contact Email | everson@everson.org |
| Venue | Everson Museum of Art 401 Harrison St. Syracuse, NY 13202 315-474-6064 |
Alisha B Wormsley: The Temple of Our Survival
Light Work’s Urban Video Project is pleased to present the exhibition Alisha B Wormsley: The Temple of Our Survival at their architectural projection venue on the Everson Museum facade..
The Temple of Our Survival is new video work commissioned by Light Work for projection at UVP exploring what survival means and looks like through a series of interviews conducted by the artist with local care workers, land stewards, and cultural workers in her nomadic film set and project space.
In conjunction with the exhibition, Wormsley will be present for a special indoor film screening and panel talk on Thursday, March 19.
About the Work
The Temple of Our Survival
2026
While in-residence in Syracuse, Wormsley worked with Sankofa Reproductive Health and Healing Center, setting up her eponymous traveling film set and workshop space “The Temple of Our Survival” for the month of July. A work of art in its own right, the Temple is a massive tent draped in quilts made of vibrant traditional fabrics and sewn by the artist in designs invoking her own ancestral histories of migration and search for refuge.
In Wormsley’s own words, “This set is mobile not just for convenience but as a signifier of our relationship to land and landscape. That relationship is migrant. Ancestrally adapting to weather, plant-life, water and resources in every part of this country and beyond. The resilience is of the spirit.”
The Temple of Our Survival filmset has travelled to a total of eight sites around the country. At each of these, the artist held workshops using herbs grown in her grandmother’s garden and conducted interviews with local care workers, land stewards, and cultural workers, each of whom shared their own stories of and strategies for survival.
Film and Set by Alisha B Wormsley
Producers
Sibyls Shrine
Jessica Gaynelle Moss
Tsedaye Makonnen
Camera and 2nd Camera
Alisha B Wormsley
Ricardo Robinson
Brett Wormsley
Location Sound
Ricardo Robinson
Sound design
Ricardo Robinson
Alisha Wormsley
Syracuse Cast
Asa Rogers
Asteir Bey
Assata Bey
Katrina Delee
Sequoia Kemp
Shakera Kemp
Miesha Shih
Raniqueka Vereen
Cheeki Williams
Ammale Yousuf
Pittsburgh Cast
Betty Lane
Bekezela Mguni
Naomi Chambers
Alisha Wormsley
Fort Lauderdale Cast
Jessica Gaynelle Moss
St. Louis Cast
Dail Chambers
Tiara Burtin
Alexe Harlem
Oakland Cast
amara t smith
Courtney Desiree Morris
About the Artist
Alisha B Wormsley is an interdisciplinary artist and cultural producer. Her main concern is to transform the world into a place where people can live. Her work has been shown at REDCAT in Los Angeles, Participant, INC, Cue Arts, and the Bronx Museum in NYC, and at the Andy Warhol Museum and Mattress Factory in Pittsburgh, among many other venues. In 2020, Wormsley launched an artist residency for Black artists who M/other called Sibyls Shrine that supports over 150 artists. Wormsley is a 2022 Guggenheim Fellow in Fine Arts and an Assistant Professor of Social Practice at Carnegie Mellon School of Art.
In addition to being awarded a UVP Residential Commission, this project has won an Anonymous was a Woman NYFA Award, a Pittsburgh Foundation grant and the Sundance Interdisciplinary grant.
Artist’s website: www.alishabwormsley.com
Sponsors
All Light Work exhibitions are made possible by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature and through a Tier Two Support Grant from the County of Onondaga, with the support of County Executive Ryan McMahon and the Onondaga County Legislature, administered by CNY Arts.
| Date/Time | 5/01/2026 8:00 PM |
| Runs | 2/19/2026 - 5/30/2026 |
| Contact Phone | 315-443-9933 |
| Contact Email | cali@lightwork.org |
| Venue | Everson Museum of Art Plaza 701 S. State Street Syracuse, NY 13202 315-422-8284 |
Amy Lincoln: Fractured Light
New York-based artist Amy Lincoln (b. 1981) paints dreamy, atmospheric landscapes and seascapes recalling her childhood under the overcast skies of the Pacific Northwest. At once tranquil and vibrant, otherworldly and familiar, Lincoln’s imagined scenes of radiant suns, calm seas, and vivid foliage present a stylized version of the natural world in every color of the rainbow. An exploration of the phenomena of light reflection and refraction, Fractured Light is Lincoln’s first solo museum exhibition.
Lincoln begins most paintings with three colors that she mixes with varying amounts of white to establish a color system unique to each work. She meticulously builds up layers of paint, creating surfaces that appear to glow from within. Through gradual tonal transitions, geometric precision, and the use of symmetry, Lincoln’s paintings capture the feeling of light moving across a landscape. In a world saturated with rapidly changing high-definition images, Lincoln’s work offers us an alternative that encourages close looking and deep engagement with color, light, and form.
About the Artist:
Born in Bloomington, Indiana in 1981, New York-based artist Amy Lincoln paints dream-like scenes of imagined landscapes, atmospheric activity and vibrant, fantastical foliage. Recalling her upbringing in Oregon, where beach visits under overcast skies were frequent, Lincoln’s paintings explore the phenomena of light reflection and refraction. She completed her MFA at Temple University’s Tyler School of Art in 2006 and her BA at University of California, Davis in 2003. Lincoln’s work has been the subject of solo exhibitions at Sperone Westwater (2024; 2023; 2021), Taymour Grahne Projects, London (2022), Morgan Lehman Gallery, New York (2018; 2016) and Monya Rowe Gallery, Saint Augustine, FL (2016), among others. Her work has also been featured in numerous group exhibitions including Johansson Projects, Oakland, CA (2024), Columbus Museum of Art, OH (2023), The Hole, New York (2022), Sargent’s Daughters, New York (2018), and Regina Rex, New York (2017), as well as internationally at Galerie Valerie Bach, Brussels, Belgium (2020) and Taymour Grahne Projects, London (2022; 2021). Lincoln has been awarded residencies at the Wave Hill Winter Workspace program, the Inside Out Art Museum Residency in Beijing, and a Swing Space residency from the Lower Manhattan Cultural Council. Her work is in the permanent collections of the Columbus Museum of Art and Pennsylvania Academy of the Fine Arts, Philadelphia.
| Date/Time | 5/02/2026 (All day) |
| Runs | 5/02/2026 - 9/06/2026 |
| Cost | $14 – Adults $10 – Seniors (65+), Students $5 – Children 6-12 $2 – with EBT card FREE – Everson Members, Children 5 and under, Military (w/ ID) P |
| Contact Phone | 315-474-6064 |
| Contact Email | everson@everson.org |
| Venue | Everson Museum of Art 401 Harrison St. Syracuse, NY 13202 315-474-6064 |
Nanni Valentini: Interspaces
Over the half-century span of its Ceramic National exhibitions, the Everson launched the career of countless American ceramists. In 1942 and 1958, the scope of the Ceramic Nationals became international, showcasing talents from both the Western hemisphere and Europe. On the advice of Italian artist Lucio Fontana, a brilliant ceramist in his own right, the 1958 Ceramic International introduced Nanni Valentini to the world. Valentini received a coveted purchase prize, and his work was exhibited on that year’s circuit, which included the Metropolitan Museum of Art in New York, the Museum of Fine Arts Boston, the Cleveland Museum of Art, and the Detroit Institute of Arts.
By the time he exhibited at the Ceramic International, Valentini’s work had begun to move away from strict functionality. Although his studies were rooted in pottery traditions at the Istituto d’Arte per la Ceramica in Faenza, Valentini saw himself as a fine artist rather than craftsman. In the 1960s, he began creating conceptual wall-based ceramics that drew from exciting developments in Italian painting. By the 1970s, he produced a groundbreaking series of works called Trasparenza (Transparency), which further broke down the barriers between painting and sculptural object. Before his untimely death in 1985, Valentini established that ceramics were an inextricable part of the fine art canon.
In collaboration with the Nanni Valentini Archive, Fondazione Museo della Ceramica di Savona, and ABC-ARTE, Interspaces re-introduces Valentini’s groundbreaking work to American audiences.
| Date/Time | 5/02/2026 (All day) |
| Runs | 5/02/2026 - 9/06/2026 |
| Cost | $14 – Adults $10 – Seniors (65+), Students $5 – Children 6-12 $2 – with EBT card FREE – Everson Members, Children 5 and under, Military (w/ ID) P |
| Contact Phone | 315-474-6064 |
| Contact Email | everson@everson.org |
| Venue | Everson Museum of Art 401 Harrison St. Syracuse, NY 13202 315-474-6064 |
LIFE: Six Women Photographers
LIFE founder and editor-in-chief, Henry R. Luce, was convinced that American political, economic, and cultural power would, and should, dominate the era he defined as the “American Century.” Photojournalism, or “photo essays” as he coined them, could effectively shape an authentically American vision of the United States as an international power, inspiring its people, in Luce’s words, “to live and work and fight with vigor and enthusiasm.” By giving readers vivid images of industrial strength, women and the family, race relations, World War II, labor, and the Cold War, the photographers in this exhibition contributed to this view of the United States as a global player seeking its identity on the world stage.Six pioneering female photographers were among those who contributed to LIFE’s pursuit of this American character: Margaret Bourke-White, Marie Hansen, Martha Holmes, Lisa Larsen, Nina Leen, and Hansel Mieth. These photographers were among the few women who were retained as full-time staff or on a semi-permanent basis rather than as freelancers. Their cameras captured events both international and domestic, wide-ranging and intimate, serious and playful. Central to LIFE’s reportage was the sometimes contentious relationship between photographers and editors, with each holding a stake in the ideology and content of the final essay. Ultimately, the editorial staff, not the photographers, chose which images would be published, and thus how each story was presented.In his prospectus for LIFE, Luce stressed the importance for one “to see life; to see the world; to eyewitness great events…” It was not about reading but rather about allowing the images to tell the stories. These six photographers played a vital role in Luce’s quest to achieve that end.
| Date/Time | 5/02/2026 (All day) |
| Runs | 5/02/2026 - 9/27/2026 |
| Cost | $14 – Adults $10 – Seniors (65+), Students $5 – Children 6-12 $2 – with EBT card FREE – Everson Members, Children 5 and under, Military (w/ ID) P |
| Contact Phone | 315-474-6064 |
| Contact Email | everson@everson.org |
| Venue | Everson Museum of Art 401 Harrison St. Syracuse, NY 13202 315-474-6064 |
Percussion Reimagined: Jeff Tripoli "Perspectives" Inventions and Contraption Kits
Step into the world of Jeff Tripoli’s experimental percussion and film Perspectives. This intimate micro-exhibit showcases Tripoli’s inventive approach to sound, featuring a display of his original, custom-built percussion instruments, found objects, and unique contraption kits. Perspectives, a short film, brings these ideas to life through a series of dynamic collaborations with an exceptional lineup of guest artists: Butch Norton, Sam Fishman, Neal Frankle, Kalani Das, Andrew Toy, Charles Corey, Rich Mangicaro, Brett Borges, Jason Schirripa, and Johanna So.
| Date/Time | 5/22/2026 (All day) |
| Runs | 5/22/2026 - 5/24/2026 |
| Cost | Free Admission |
| Contact Phone | 315-435-2155 |
| Contact Email | info@cnyarts.org |
| Venue | Art in the Atrium 201 E Washington St. Syracuse, NY 13202 315-435-2155 |
A Beautiful Noise: The Neil Diamond Musical
Recommended for all ages.
THE UNTOLD TRUE STORY OF A BROOKLYN KID WHO BECAME A CHART-BUSTING, SHOW-STOPPING, AWARD-WINNING AMERICAN ICON
Created in collaboration with Neil Diamond himself, A BEAUTIFUL NOISE is the uplifting true story of how a kid from Brooklyn became a chart-busting, show-stopping American rock icon. With 120 million albums sold, a catalogue of classics like “America,” “Forever in Blue Jeans,” and “Sweet Caroline,” an induction into the Songwriters and Rock and Roll Halls of Fame, a Grammy® Lifetime Achievement Award, and sold-out concerts around the world that made him bigger than Elvis, Neil Diamond’s story was made to shine on Broadway-and head out on the road across America.
Like Jersey Boys and Beautiful: The Carole King Musical before it, A BEAUTIFUL NOISE: THE NEIL DIAMOND MUSICAL is an inspiring, exhilarating, energy-filled musical memoir, that tells the untold true story of how America’s greatest hitmaker became a star, set to the songs that defined his career. Presented in association with and endorsed by Neil Diamond.
*Interpreters will be available at this performance
**Anyone, regardless of age, must have their own ticket.
| Date | 6/09/2026 |
| Multiple Times | Jun. 9 – 7:30PM |
| Runs | 6/09/2026 - 6/14/2026 |
| Contact Phone | 315-475-7979 |
| Contact Email | info@landmarktheatre.org |
| Venue | Landmark Theatre 362 S. Salina St. Syracuse, NY 13202 |
Syracuse Polish Festival
The Syracuse Polish Fest is a three-day, family-friendly celebration of Polish culture, heritage, and traditions. In addition to Polish food, arts & crafts, music, and dance, the festival offers a pierogi-eating contest, a Miss Polonia presentation, and more!
| Date/Time | 6/12/2026 (All day) |
| Runs | 6/12/2026 - 6/14/2026 |
| Cost | free |
| Contact Phone | 315-663-6452 |
| Contact Email | mirka.banach@yahoo.com |
| Venue | Clinton Square N Clinton St & W Genesee St. Syracuse, NY 13202 |
Everson Summer Arts Camp (Week 2, Ages 8-12)
9 am – 12 pm Daily | (Drop-off between 8:45 – 9 am, pick-up between 12 – 12:15 pm)
Connect with the world of art! Draw inspiration from the exciting exhibitions at the Everson Museum of Art during this year’s Summer Art Camp, with projects designed to fuel creative thinking and exploration.
Artists ages 8-12 will learn about artwork in the Museum, then make their own creations with projects based on its current exhibitions. Students will be guided through a range of fun and engaging artmaking experiences that will spark their creative minds and strengthen their creative muscles. Material explorations will include ceramics, painting, sculpture, and collage.
Our camp aspires to be a nurturing environment for young artists to explore, learn, and grow in an inspiring, supportive environment designed and facilitated by our own staff of experienced art educators.
This half-day camp is well-suited for students eager to try new mediums, learn fresh skills, and complete engaging projects within short, manageable time frames.
| Date/Time | 7/13/2026 9:00 AM |
| Runs | 7/13/2026 - 7/17/2026 |
| Cost | $244 Members | $280 Non-Members |
| Contact Phone | 315-474-6064 |
| Contact Email | cwalsh@everson.org |
| Venue | Everson Museum of Art 401 Harrison St. Syracuse, NY 13202 315-474-6064 |
Everson Summer Arts Camp (Week 3, Ages 5-7)
9 am – 12 pm Daily | (Drop-off between 8:45 – 9 am, pick-up between 12 – 12:15 pm)
In this half-day program, campers will explore several media with learning through literacy at the core of the program. Each day we’ll begin with a book with an artistic focus which will inspire the days’ themes. Campers will engage with painting, collage, sculpture, and storytelling, in this week’s session designed specifically for children in the 5-7 age range. We’ll incorporate Social-Emotional Learning through artmaking, activities, and games to inspire creativity and celebrate the joy of making.
This half-day camp is well-suited for students eager to try new mediums, learn fresh skills, and complete engaging projects within short, manageable time frames.
| Date/Time | 7/27/2026 9:00 AM |
| Runs | 7/27/2026 - 7/31/2026 |
| Cost | $244 Members | $280 Non-Members |
| Contact Phone | 315-474-6064 |
| Contact Email | cwalsh@everson.org |
| Venue | Everson Museum of Art 401 Harrison St. Syracuse, NY 13202 315-474-6064 |
