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Annual Invitational: Hues of Cuse @ Art in the Atrium

Annual Invitational: Hues of Cuse @ Art in the Atrium

Exciting artwork of various styles by local artists, and interactive elements inviting YOU to contribute to an exhibit exploring experiences of life in the CNY Region. 

Date6/13/2026
Multiple Times

Fridays (12-5 PM)
Saturdays & Sundays (12-8 PM)

Runs5/22/2026 - 6/28/2026
CostFREE
Contact Emailsjackoway@cnyarts.org
VenueArt in the Atrium
201 E Washington St.
Syracuse, NY 13202
315-435-2155

Amy Lincoln: Fractured Light

Amy Lincoln: Fractured Light

New York-based artist Amy Lincoln (b. 1981) paints dreamy, atmospheric landscapes and seascapes recalling her childhood under the overcast skies of the Pacific Northwest. At once tranquil and vibrant, otherworldly and familiar, Lincoln’s imagined scenes of radiant suns, calm seas, and vivid foliage present a stylized version of the natural world in every color of the rainbow. An exploration of the phenomena of light reflection and refraction, Fractured Light is Lincoln’s first solo museum exhibition.

Lincoln begins most paintings with three colors that she mixes with varying amounts of white to establish a color system unique to each work. She meticulously builds up layers of paint, creating surfaces that appear to glow from within. Through gradual tonal transitions, geometric precision, and the use of symmetry, Lincoln’s paintings capture the feeling of light moving across a landscape. In a world saturated with rapidly changing high-definition images, Lincoln’s work offers us an alternative that encourages close looking and deep engagement with color, light, and form.

About the Artist: 

Born in Bloomington, Indiana in 1981, New York-based artist Amy Lincoln paints dream-like scenes of imagined landscapes, atmospheric activity and vibrant, fantastical foliage. Recalling her upbringing in Oregon, where beach visits under overcast skies were frequent, Lincoln’s paintings explore the phenomena of light reflection and refraction. She completed her MFA at Temple University’s Tyler School of Art in 2006 and her BA at University of California, Davis in 2003. Lincoln’s work has been the subject of solo exhibitions at Sperone Westwater (2024; 2023; 2021), Taymour Grahne Projects, London (2022), Morgan Lehman Gallery, New York (2018; 2016) and Monya Rowe Gallery, Saint Augustine, FL (2016), among others. Her work has also been featured in numerous group exhibitions including Johansson Projects, Oakland, CA (2024), Columbus Museum of Art, OH (2023), The Hole, New York (2022), Sargent’s Daughters, New York (2018), and Regina Rex, New York (2017), as well as internationally at Galerie Valerie Bach, Brussels, Belgium (2020) and Taymour Grahne Projects, London (2022; 2021). Lincoln has been awarded residencies at the Wave Hill Winter Workspace program, the Inside Out Art Museum Residency in Beijing, and a Swing Space residency from the Lower Manhattan Cultural Council. Her work is in the permanent collections of the Columbus Museum of Art and Pennsylvania Academy of the Fine Arts, Philadelphia.

Date/Time8/22/2026 (All day)
Runs5/02/2026 - 9/06/2026
Cost$14 – Adults $10 – Seniors (65+), Students $5 – Children 6-12 $2 – with EBT card FREE – Everson Members, Children 5 and under, Military (w/ ID) P
Contact Phone315-474-6064
Contact Emaileverson@everson.org
VenueEverson Museum of Art
401 Harrison St.
Syracuse, NY 13202
315-474-6064

LIFE: Six Women Photographers

LIFE: Six Women Photographers

LIFE founder and editor-in-chief, Henry R. Luce, was convinced that American political, economic, and cultural power would, and should, dominate the era he defined as the “American Century.” Photojournalism, or “photo essays” as he coined them, could effectively shape an authentically American vision of the United States as an international power, inspiring its people, in Luce’s words, “to live and work and fight with vigor and enthusiasm.” By giving readers vivid images of industrial strength, women and the family, race relations, World War II, labor, and the Cold War, the photographers in this exhibition contributed to this view of the United States as a global player seeking its identity on the world stage.Six pioneering female photographers were among those who contributed to LIFE’s pursuit of this American character: Margaret Bourke-White, Marie Hansen, Martha Holmes, Lisa Larsen, Nina Leen, and Hansel Mieth. These photographers were among the few women who were retained as full-time staff or on a semi-permanent basis rather than as freelancers. Their cameras captured events both international and domestic, wide-ranging and intimate, serious and playful. Central to LIFE’s reportage was the sometimes contentious relationship between photographers and editors, with each holding a stake in the ideology and content of the final essay. Ultimately, the editorial staff, not the photographers, chose which images would be published, and thus how each story was presented.In his prospectus for LIFE, Luce stressed the importance for one “to see life; to see the world; to eyewitness great events…” It was not about reading but rather about allowing the images to tell the stories. These six photographers played a vital role in Luce’s quest to achieve that end.

Date/Time8/22/2026 (All day)
Runs5/02/2026 - 9/27/2026
Cost$14 – Adults $10 – Seniors (65+), Students $5 – Children 6-12 $2 – with EBT card FREE – Everson Members, Children 5 and under, Military (w/ ID) P
Contact Phone315-474-6064
Contact Emaileverson@everson.org
VenueEverson Museum of Art
401 Harrison St.
Syracuse, NY 13202
315-474-6064

Nanni Valentini: Interspaces

Nanni Valentini: Interspaces

Over the half-century span of its Ceramic National exhibitions, the Everson launched the career of countless American ceramists. In 1942 and 1958, the scope of the Ceramic Nationals became international, showcasing talents from both the Western hemisphere and Europe. On the advice of Italian artist Lucio Fontana, a brilliant ceramist in his own right, the 1958 Ceramic International introduced Nanni Valentini to the world. Valentini received a coveted purchase prize, and his work was exhibited on that year’s circuit, which included the Metropolitan Museum of Art in New York, the Museum of Fine Arts Boston, the Cleveland Museum of Art, and the Detroit Institute of Arts.

By the time he exhibited at the Ceramic International, Valentini’s work had begun to move away from strict functionality. Although his studies were rooted in pottery traditions at the Istituto d’Arte per la Ceramica in Faenza, Valentini saw himself as a fine artist rather than craftsman. In the 1960s, he began creating conceptual wall-based ceramics that drew from exciting developments in Italian painting. By the 1970s, he produced a groundbreaking series of works called Trasparenza (Transparency), which further broke down the barriers between painting and sculptural object. Before his untimely death in 1985, Valentini established that ceramics were an inextricable part of the fine art canon.

In collaboration with the Nanni Valentini Archive, Fondazione Museo della Ceramica di Savona, and ABC-ARTE, Interspaces re-introduces Valentini’s groundbreaking work to American audiences.

Date/Time8/22/2026 (All day)
Runs5/02/2026 - 9/06/2026
Cost$14 – Adults $10 – Seniors (65+), Students $5 – Children 6-12 $2 – with EBT card FREE – Everson Members, Children 5 and under, Military (w/ ID) P
Contact Phone315-474-6064
Contact Emaileverson@everson.org
VenueEverson Museum of Art
401 Harrison St.
Syracuse, NY 13202
315-474-6064

A Long Look: Documentary Photography, 1888-2016

A Long Look: Documentary Photography, 1888-2016

A Long Look: Documentary Photography, 1888-2016 traces more than a century of photographers turning their lenses toward the world as witnesses, advocates, and storytellers. From the late nineteenth century, when advances in camera technology first allowed photographers to record spontaneous moments, to the bold and colorful images of today, documentary photography has shaped how people see the world, both its past and its present.

Documentary photographers traditionally immerse themselves in their subjects. Bruce Davidson spent ten days living in the mining communities of South Wales producing his Welsh Miners portfolio. Aaron Siskind’s Harlem Document project plays out over nine years, showing the vibrant life of Black Americans in Harlem in the 1930s. Donna Ferrato has spent decades documenting survivors of domestic violence and advocating for their welfare. Documentary photographers reveal how sustained engagement with their subjects, over ten days or several decades, produces images that challenge stereotypes, humanize the unfamiliar, and deepen public understanding.

Spanning from 1888 to 2016, A Long Look invites viewers to consider the significance of documentary photography as a medium, asking how photographs shape collective memory and inspire social awareness. Documentary photographers must often navigate the tension between art and journalism, frequently occupying a grey area between the two. A Long Look is presented in conjunction with LIFE: Six Women Photographers to foster discussions on the relationship between documentary photography and photojournalism.

Date/Time8/22/2026 (All day)
Runs4/18/2026 - 9/27/2026
Cost$14 – Adults $10 – Seniors (65+), Students $5 – Children 6-12 $2 – with EBT card FREE – Everson Members, Children 5 and under, Military (w/ ID) P
Contact Phone315-474-6064
Contact Emaileverson@everson.org
VenueEverson Museum of Art
401 Harrison St.
Syracuse, NY 13202
315-474-6064

Canal as Collaborator: Works by Sarah Cameron Sunde & Kari Varner

Canal as Collaborator: Works by Sarah Cameron Sunde & Kari Varner

How do we reconcile our engineered past with an ecological future?

2025 Erie Canal Artists-in-Residence Sarah Cameron Sunde and Kari Varner explore the Canal from an environmental lens.

Kari Varner, a distinguished photographer and educator, explored key ecological sites along the canal, integrating harvested plants into her photographic artworks. Sarah Cameron Sunde, an innovative interdisciplinary artist, engaged with canal communities to create pieces that physically and ecologically connect with the canal. She also developed work in collaboration with Jeremy Dennis, a contemporary fine art photographer and an enrolled Tribal Member of the Shinnecock Indian Nation in Southampton, NY.

Date/Time8/21/2026 (All day)
Runs4/17/2026 - 9/27/2026
CostFree
Contact Phone315-471-0593
Contact Emailinterpretation@eriecanalmuseum.org
VenueErie Canal Museum
318 Erie Blvd E
Syracuse, NY 13202
315-471-0593